![]() “Because we lost so many Jedi to the Nihil, Nameless, and Drengir, we wanted to introduce some new, noble and true Jedi Knights who are not conflicted or tempted by the dark side or dead,” he says. And yet, he’s willing to make those sacrifices.”Īccording to Siglain, the characters fill a story need while also moving it forward. “As for Jedi Master Lox, he’s lost friends and is ready to fight, knowing that battles can bring casualties of the worst kind. And when people have a lot to learn, they can sometimes make mistakes,” Kang says. He’s young and eager to help, but he still has a lot to learn. “Amadeo Azzazzo, as the Padawan to Jedi Master Mirro Lox, has undergone his own trial during his time on Coruscant at the time of the Jedi callback. In the story, the duo is called back to Coruscant following the destruction of Starlight Beacon, and pop up in George Mann’s Phase III kickoff novel The Eye of Darkness. Lydia Kang introduced two new Jedi in “The Call of Coruscant,” her short story included in the anthology The High Republic: Tales of Light and Life: Jedi Master Mirro Lox and his Padawan, Amadeo Azzazzo. Today, takes a look at some of the new guardians of peace and justice joining the High Republic saga in Phase III, with insights from writers Alyssa Wong, Lydia Kang, and Michael Siglain, along with concept art by Petur Antonsson, Ario Anindito, and Nicola Righi. “We've been lucky to add new heroes, villains, planets, ships, and more to a galaxy far, far away, and our latest High Republic books and comics continue to do just that.” “One of the most exciting aspects of this initiative is the newness of it all,” Lucasfilm Publishing creative director Michael Siglain tells. ![]() The entire slate has had a feeling of discovery, and as Phase III of the publishing program kicks off this month, that creative spirit will remain. We’re meeting characters for the first time, going places we’ve never been, seeing creatures we never knew existed. In dialing back the clock to the prime of the Jedi Order, The High Republic tells stories of a very different galaxy than the one we know. Star Wars: The High Republic has given creators a clean slate. In this installment, reveals new heroes and their designs coming in Phase III of the publishing initiative. is pulling back the curtain on Star Wars: The High Republic, a publishing epic set centuries before the events of Star Wars: The Phantom Menace, with insights from creators, new details, and never-before-seen concept art. His plot could never have worked if the Jedi weren't heavily involved in the Clone Wars, as he needed the Jedi to trust and rely on the clones enough for Order 66 to succeed.Lucasfilm Publishing's Michael Siglain, writers Alyssa Wong and Lydia Kang, and concept artist Petur Antonsson introduce us to Jedi who will join the High Republic adventure. T he starfighters showed that the Order's focus had shifted from protecting the galaxy to winning the Clone Wars, which played directly into Palpatine's plan. They were designed for war, not for peacekeeping, and The Jedi piloting them were primarily generals and soldiers, not servants of the Force. In the same way Vectors were symbolic of the Order's devotion to life, starfighters were symbolic of the Jedi's shift towards militarism. ![]() That would create precious moments where a Jedi would be able to consider their decision and try to find another way, something starfighters couldn't provide. Even a Jedi could end a life with a single shot from a starfighter, whereas a Vector would require them to take a moment to pause in order to insert their lightsaber. Vectors symbolized the Jedi's best nature, but they also protected the Jedi from their worst impulses. Having more accessible weapons on their ships made the Jedi more militaristic. Moving to a new kind of ship had practical benefits for fighting a war, but its cost was far greater. Having dedicated and independently powered weapons on their ships gave the Jedi more offensive capabilities, but abandoning Vectors was one of the Order's greatest mistakes. The Age of the Republic was a dangerous time for Jedi, and they needed every advantage they could find in order to win the Clone Wars. ![]() There was a practical reason for this, as the Jedi at the time were engaged in the Clone Wars, and a weapons system that needed to be prepared would have been a liability. It may have been a necessary design change for the times, but it marked a departure from the Jedi's peacekeeping mission. The Jedi inside may still have used violence as a last resort, but it’s clear the value of life and reluctance to use deadly force were not central to the starfighter’s design, like they were for Vectors. Starfighters had dual laser cannons and a secondary ion cannon, neither of which required a lightsaber key. By the Age of the Republic, Vectors had all but been decommissioned, with very different Jedi starfighters taking their place.
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